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Trapped in their New York brownstone’s panic room, a hidden chamber built as a sanctuary in the event of break-ins, newly divorced Meg Altman and her young daughter Sarah play a deadly game of cat-and-mouse with three intruders – Burnham, Raoul and Junior – during a brutal home invasion. But the room itself is the focal point because what the intruders really want is inside it.
When millionaire businessman Ted Billings (Glenn Morshower) double-crosses his partners in a weapons deal, he decides to hire some protection. Billings enlists Eugene “Vash” Vasher (Lou Diamond Phillips) a mercenary-for-hire and soon, Vash is fighting off assaults on his boss from all sides, but on top of that, he doesn’t even like Billings who has a hidden agenda. Among the shoot-outs and chases, Vash forms a bond with Emily (Yancy Butler) Billings’ chief-of-security and Vash’s former flame who’s not all that she appears to be.
Zhenzhen is smuggled into Trinidad and is threatened upon her arrival. Her brother Wei, who is working on the island in construction, intervenes and although he doesn’t have the money, he promises to pay her debt. Wei finds Zhenzhen a job at a Chinese restaurant and tries to get an advance from his employer.
While trying to raise money to prevent his car from being repossessed, George is attracted to Lola, a Frenchwoman who works in a “model shop” (an establishment which rents out beautiful pin-up models to photographers). George spends his last twelve dollars to photograph her, and discovers that she is as unhappy as he.
The story of an unlikely encounter between Gordon, a hexapod operator, and Ayusha, a young woman from the Middle East. Gordon, guardian of a pipeline in this desert region, becomes fascinated by Ayusha, while piloting his robotic spider from the other side of the world, in America. Ayusha is promised to an older man she doesn’t love. Despite the distance, their mutual fear and their imperfect interaction, he will do everything in his power to help her escape her fate.
A family living in Marfa, Texas attempts to pull themselves back together after a horrific tragedy. This provocative sequel to Larry Clark’s film Marfa Girl, shows us a group of people ready to escape their current realities – no matter the cost. Gritty, unrelenting and powerful, auteur Clark once again delivers a bleak landscape of sex, drugs and boredom amongst the residents of a dead-end Texas Border town.